upcoming live events

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June 20, 2025
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The Widdler w/ LiamLantern & Beam
The Widdler w/ LiamLantern & Beam
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Starts:
10:00 pm
$
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Ages:
21
+
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Volcanic Theatre Pub & 1988 Entertainment Presents:

The Widdler w/ LiamLantern & Beam

Friday, June 20th 2025

Genre - Electronic Dance

Presale - $22  Door - $30

Doors @ 10PM

This show is 21+

Born in Tel Aviv and living in Austin, TX, The Widdler is widely recognized as an innovator and originator of dub sound. Constantly practicing, The Widdler incorporates mix sessions into his daily routine, which translates to his flawless performances at shows; Taking influence from various genres of music and lifestyle, his tunes come in all shapes and colors. From the chilled reggae dubs and blue mood atmospheres to the mean menacing throbs of bass and percussion, The Widdler knows how to weave his musical roots with his production that makes each set entirely special. Sit back, light a spliff, and enjoy the sounds of The Widdler.

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June 28, 2025
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One Way Out
One Way Out
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Starts:
9:00 pm
$
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0
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Volcanic Theatre Pub & 1988 Entertainment Presents:

One Way Out - Celebrating The Allman Brothers Band

Friday, June 28th 2025

Presale - $15  Door - $25

Doors @ 8 PM - Show Starts @ 9 PM

  1. ONE WAY OUT is more than just a band.  It’s eight members are each and every one devotees of one of the most creative and influential rock bands of all time, a band that defined southern rock and took it to a whole new level.  Every member of ONE WAY OUT brings this admiration for the music and the skills to do it justice.  Our live shows are authentic and full of Allman Brothers energy and musicianship.  ONE WAY OUT offers a full repertoire of music from the Allman Brothers Band, as well as individual hits from their notable side projects.
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July 11, 2025
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Allah-Las w/ Sepe
Allah-Las w/ Sepe
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Starts:
7:00 pm
$
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Volcanic Theatre Pub & 1988 Entertainment Presents:

Allah-Las w/ Sepe

Outside in the VTP Courtyard 

Friday, July 11th 2025

Genre - Surf rock/60s revival

Doors @ 6PM - Show Starts @ 7PM

“A ship in harbor is safe, but that’s not what ships are built for” the saying goes. But suppose the proverbial harbor is Los Angeles — a place not particularly known for being the origin of adventures. From the Spanish Conquistadors to the countless starry-eyed nobodies hoping to make it big, LA is usually the destination. 

So it’s no wonder the Allah Las became fascinated with both the carefree spirit and glitter-in-the-gutter lifestyle of their hometown. After three records mining its lore and lure (from the desert to the sea) they have become global ambassadors of not just a place but a location.

Having taken their compact California on the road across the world (making stops in North, Central, and South America, Europe, South Africa, Australia, Russia, East Asia and beyond), they couldn’t help but peek through the other end of the telescope.

On their fourth LP, drummer Matt Correia, bassist Spencer Dunham, and guitarists Miles Michaud and Pedrum Siadatian turn their collective gaze outward and toward the horizon. Simply titled LAHS (a reference to a common misspelling of the band’s name), their forthcoming release on Mexican Summer finds the band turning in their most cohesive and ambitious work yet.

The Allah Las seem to be transmitting from a place not found on any map. Those familiar with the band’s work will recognize their skillful melding of melodies and moods, but through that lens we see them venturing into new, exciting territories. Indeed, their growth not just as songwriters, but as performers, arrangers, and producers — is clearly audible.

Correia sings in Portuguese on “Prazer Em Te Conhecer” (Nice to Meet You), which evokes George Harrison while also sounding like a rare 45 from a Brazilian flea market. The breezy sweetness of “Pleasure” could pass for a song by Spanish folk darlings Picnic, were it not for the wistful wisdom in Dunham’s delivery. “Polar Onion” takes us through the inevitable lows one encounters on a long journey, as Michaud laments “drown in the sea, I fill my cup - but it’s not enough”- a caricature of the lonesome cowboy seeking and occasionally glimpsing enlightenment.

One of the most notable evolutions from their previous work is a razor-sharp focus on the groove. We hear the rhythms of Krautrock influencing songs like “Houston” and “Electricity,” with steady and precise drumming that create complexity from repetition. Whilst both “Roco Ono” and “Star” incorporate elements of disco and soul into Allah Las universe, highlighting an airtight rhythm section unafraid to tap their toes. 

Opener “Holding Pattern” conveys what the title suggests; you’ve almost arrived, you can see the ground, but you’re not quite there yet. Airy, ethereal harmonies chant the title, holding you in suspense- and eventually give way to an entirely different mood just before the fade- as if telling the listener “we’ve landed safely.” The persistent shuffle of “In The Air” drives the song forward, while Siadatian’s echo slapped voice bounces along on top, describing “images that can’t compare to the real thing in the air.” Electric guitar and mellotron trade licks, mirror each other's kinetic ascending and descending lines and calling to mind the playful jubilance of Kevin Ayers in his prime.

“We’ve been traveling a lot the past couple years and I think that played a role in influencing the broader variety of songs on this record” Correia explains. And this is precisely what sets LAHS apart from its predecessors -- a record inspired less by time, but by place. “LAHS to me feels like a soundtrack to the past 5 years or so. A sort of audio postcard to anyone who wants to listen.” This sentiment is echoed in the album’s artwork — a collection of exotic postcards, postmarked from equally exotic locals (designed by Matt Correia & Robbie Simon).

Tracking was done mostly by the band at their own studio in Los Angeles, allowing them more time and space to experiment with tunes and tones. Producer/Engineer Jarvis Taveniere (Woods) was brought in to help polish it off, resulting in a sound both crisp and clear while keeping with the warmth and atmosphere the band are known for.

The Allah Las have left the harbor. The infectious wanderlust that fuels these thirteen songs continues to propel the group forward across new frontiers, as they collect and catalog all they find and return with plenty of inspiration in tow. With LAHS we not only discover what souvenirs they’ve brought back for us; they’re inviting us aboard and taking us along for the ride.

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July 16, 2025
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Matte Blvck w/ Die Sexual
Matte Blvck
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Starts:
9:00 pm
$
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Volcanic Theatre Pub & 1988 Entertainment Presents:

Matte Blvck - Holy Wars Tour

supported by Die Sexual

Wednesday, July 16th 2025

Genre - Darkwave/Industrial 

Presale - $20  Door - $28

Doors @ 8PM - Show Starts @ 9PM

Matte Blvck -

Matte Blvck, a trio formed by Alex Gonzales, Daniel Corrales, and Bidi Cobra, is known for their unique blend of Darkwave and Industrial music. They recently released their highly anticipated second album, "Vows." The album's standout single, "BTTR," is a collaboration with the legendary Clan of Xymox, one of the pioneering bands in the Darkwave and Post Punk genre. This remarkable partnership brings together elements of dark euphoria, evocative nostalgia, and immersive soundscapes, creating an intense and mesmerizing auditory experience.
 
The hauntingly beautiful duet between Ronny Moorings and Alex Gonzales introduces a dreamlike, serene quality that contrasts with the driving force of the EBM bass lines, pulsating mechanical drumbeats, and intricate cinematic arrangements. "BTTR" not only pays homage to the classic Darkwave sound but also infuses it with a modern twist, perfectly capturing the essence of the genre's evolution over the past thirty years.
 
The infectious chorus hook “Make Me Better” draws its inspiration and is rooted in Dependent Personality Disorder. The lyrics delve into the experience of individuals who possess an overwhelming need to be taken care of and depend on others for their fulfillment and happiness. The line "Talk to me, as all I want is to feel" poignantly reflects the struggle of those who may inadvertently drain the vitality of others in their pursuit of contentment, leading to a cycle of perpetual yearning for the happiness that eludes them.
 
Ronny Moorings, the lead vocalist, songwriter, and the longest-standing member of Clan of Xymox, has been an integral part of the band's journey. Initially releasing their albums through 4AD and later with Polygram, the band has now found a home with Metropolis Records. Over the years, Clan of Xymox has experienced periods of both mainstream success and obscurity, and now, the resurgence of darkwave music has taken the world by storm. Although Ronny has never officially embraced the darkwave label, there are rumors that the renowned John Peel, of Radio 1 fame, coined the term during their "Peel Sessions" in the early 1980s.
 
Clan of Xymox made an early impact in the post-punk scene with tracks like "A Day" and later with "Medusa." After adopting the name "Xymox," they achieved commercial success with songs such as "Imagination" and "Obsession" in the United States, in addition to other tracks with a more new wave sound. Xymox began to earn recognition on various musical fronts.
 
The genesis of the song "BTTR" can be traced back to 2019 when it was initially considered for inclusion in Matte Blvck's album "I'm Waving, Not Drowning." However, it underwent extensive reworking and was deemed not yet ready for release. The initial production of the song took place at Matte Blvck's studio in San Diego. Later, it underwent re-recording with live instruments at Secret Hand Studios in Los Angeles, which is owned by Jeff Friedl, a renowned drummer associated with Devo, A Perfect Circle, and Puscifer. The song was engineered by Matt McJunkins, known for his work with A Perfect Circle, Puscifer, and Poppy. The mixing process was handled by Aaron Short, a Grammy-nominated mixing engineer with credits including Broods, Benee, So Below, Madison Beer, and Israel Medina, a long-term collaborator of Matte Blvck.
 
Matte Blvck expressed, "We believed that this song needed to encapsulate the essence of our live performances. 'BTTR' has been our closing piece at concerts since our inception, always eliciting an enthusiastic response from the audience. We entrusted the production to Matt McJunkins, someone who truly understands live performance, and Aaron Short, who has the expertise to further develop our sound.” Matte Blvck's second album, "Vows," showcases the band's evolving musical direction and sets the stage for their future endeavors. The album boasts intricate production and a wealth of melodic content, resulting in a captivating blend of complexity and danceability. It is evident that the band is driven to expand their sonic boundaries while remaining true to their original sound. With nine tracks, "Vows" delves into a diverse array of dark electronic music genres, including breakbeats, industrial, darkwave, cinematic dark pop, alternative, electro, synth wave, and techno. This multifaceted album is now accessible across all digital and physical platforms, offering listeners a rich and immersive musical experience.
 
Die Sexual - 
Die Sexual is the Los Angeles-based dark electronic duo of Rosselinni and Anton Floriano.Conjuring their influences of EBM, techno and electropop, their sound is an intoxicating mix ofanalog synthetics and seductive vocals. Pure dancefloor decadence forged by pulsatingindustrial rhythms and dripping sensuality.Since releasing their debut EP “Bound” at the end of 2023, their tracks continue to dominateDJ playlists across the globe culminating with PYLON Records (Nitzer Ebb, Xymox) licensingtheir three EP’s and re-releasing them as the album “Elektro Body Musique”.Making their live debut in 2024, Die Sexual is quickly establishing itself as a coveted act havingplayed over 40 shows across the U.S. over the last 9 months. Sharing the stage with acts suchas Nitzer Ebb, Front Line Assembly, IAMX, Matte Blvck, Buzz Kull - they are ready to unleashaural stimulation and unbridled energy to stages everywhere.Die Sexual entices you to join their journey from out of the shadows to under the strobe lights.